Reflections on art and architecture by TIME critic Richard Lacayo.

J.M.W. Turner in Washington, D.C.

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Keelmen Heaving in Coals by Moonlight/Turner, 1835 — The National Gallery of Art

I made it down to Washington a few weeks ago to catch an early look at the phenomenal Turner show that has since opened at the National Gallery of Art. I'm still rubbing my eyes. It's very large, the largest Turner exhibition to be seen in the U.S. in over 40 years. And it's absolutely smashing. It was a famously fascinating career arc. To his contemporaries, or at least some of them, it seemed that as he got older his powers decayed, even to the point of madness. To us, now, it seems as though that's when his powers were unleashed.

Here's a link to my review in the new issue of Time. Later I'll add a link at this post to a slideshow we'll be mounting on Friday with 15 of Turner's paintings.

UPDATE: Here's that slideshow.

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    We are delighted that you enjoy the Turner show, but, as others have pointed out, it is made up to a large extent of works from the Turner Bequest. Turner left his finished pictures to the British nation on condition that they be kept "constantly" in "Turner's Gallery." What purports to be that, the Clore Gallery at Tate Britain, is currently denuded of most of its major works, and that is set to continue as one travelling Turner exhibition follows another. This has caused some of Turner's heirs, notably those in the USA, to object and to demand back some of the pictures. http://www.jmwturner.org

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